Hilary Greenbaum is a New York-based creative director, designer, writer, and educator. From 2012–2026, she led design and brand creative at the Whitney Museum of American Art. Since 2019, she also directed the creative strategy and execution of the Whitney Biennial brand.

Her typographic concept for Sixties Surreal promoted a conceptually rigorous exhibition with an accessible design system across print, digital, and out-of-home channels.

Under Hilary’s creative direction, the promotional campaign for Amy Sherald: American Sublime celebrated Sherald’s stunning portraits within the framework of the Whitney’s foundational identity system.

She also produced the promotional campaign and experiential installations for Edges of Ailey, a celebration of Alvin Ailey’s enduring legacy.

For each exhibition on view at the museum, her department is also responsible for the concept and execution of the wall graphics, from the title to the individual object labels.

Select exhibitions and performances required her and her team to produce printed ephemera to share additional context or promote further engagement with the work.

To champion significant moments for the Whitney to a broader audience, Hilary closely partnered with the museum’s Marketing team to create a wide variety of advertising placements.

Hilary also hired, briefed, and art directed a variety of photographers to capture visitor engagement and build a library of experiential photography.

She and her team treat the Whitney’s youngest constituents to a more playful iteration of the Museum’s identity.

Years of collaboration with the Whitney Shop generated hundreds of museum-branded retail products, apparel items, and packaging solutions as well as a customized website.

And in celebration of the Whitney’s vast collection or in partnership with the Whitney’s Independent Study Program, she led the design of numerous publications.

Since the Whitney relocated to the Meatpacking District in 2015 through 2026, Hilary played an integral role in the strategy, design, implementation, and ongoing evolution and accessibility of the building’s wayfinding, digital, and donor signage.

She worked alongside Experimental Jetset to launch the Whitney’s institutional identity in 2013, overseeing the design of each application of the new system and planning the phased integration of the release museum-wide.

Hilary has also partnered with artists within and beyond the Whitney on bespoke projects in a variety of capacities.

She developed the identities for the Whitney’s in-house restaurants, operated by Danny Meyer’s Union Square Hospitality Group, and created promotional materials for other local food brands.

From 2007-2012, Hilary designed covers and feature stories on weekly basis for the New York Times Sunday Magazine.

In 2011, she also wrote a design series on the magazine’s blog called Who Made That? which became a weekly column in the printed magazine and the subject of a special issue.